Yulia Dmitrieva

One day, having entered the apartment, the thief runs into the landlady. After a moment, he realizes that the girl is blind. She walks past him and then goes into the kitchen without noticing his presence. The guy looks around and starts looking for what he came for. After some time, the hostess returns.

A jigsaw film assembled from archival footage from the 20s and 30s, preserving memories of the construction of a new and everyday life - the launch of the metro, hard work, cultural life and leisure. By combining two parallel stories - state film chronicles and diary entries - the film attempts to revise the historical archive and the usual perception of the time, bringing to the forefront the collective image of a hero from the crowd.

One day, having entered the apartment, the thief runs into the landlady. After a moment, he realizes that the girl is blind. She walks past him and then goes into the kitchen without noticing his presence. The guy looks around and starts looking for what he came for. After some time, the hostess returns.

A jigsaw film assembled from archival footage from the 20s and 30s, preserving memories of the construction of a new and everyday life - the launch of the metro, hard work, cultural life and leisure. By combining two parallel stories - state film chronicles and diary entries - the film attempts to revise the historical archive and the usual perception of the time, bringing to the forefront the collective image of a hero from the crowd.

A jigsaw film assembled from archival footage from the 20s and 30s, preserving memories of the construction of a new and everyday life - the launch of the metro, hard work, cultural life and leisure. By combining two parallel stories - state film chronicles and diary entries - the film attempts to revise the historical archive and the usual perception of the time, bringing to the forefront the collective image of a hero from the crowd.