Nana Xu

"As for the look, I was inspired by certain European b-movies from the 1970s and their soft and hazy yet at the same time creepy (and oftentimes deadly) sensuality, such as the Czech New Wave film VALERIE AND HER WEEK OF WONDERS, the German arthouse vampire film JONATHAN and of course Jean Rollin’s many tales of vampire girls!" - Gloria de Oliveira.

Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.

Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.

Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.