Arthur Bergen

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A Bolshevik agitator is enticing workers into a violent rebellion in post-WWI Berlin, in order to create anarchy. He charms the wife of a factory director into helping him, but the forces of law and order are fighting back.

The story tells of a family tragedy that is based (not always factually accurate) on a well-known tragedy involving the ruling family of Austria-Hungary in 1889. Various names have been changed.

A Japanese doctor, on a secret mission to Paris for his country, becomes romantically involved with a cabaret singer at a Parisian nightclub. His entire mission is put at risk when he kills a rival for her love, a French journalist and blackmailer. (This film was a heavily re-shot 76 minute version of the 1933 film Typhoon but with a dramatically altered plot from the original where the Japanese are now portrayed as unsympathetic villains. The new version was approved by German censors and released in 1934 although its critical reception was poor. It is possible that Wiene, who had left for Budapest in 1933 following the Nazi rise to power, did not personally work on the new version). From Wikipedia.

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.

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Veronika, employed in a flower shop, has the habit of leaving flowers with a note -"Gruss und Kuss, Veronika (greetings and a kiss, Veronika)" to a special client she has fancied about. But he has the habit of sending flowers to an array of women. This puts her into action to prevent it, causing misunderstandings that will later have to be solved -somehow.

Chicago gangsters use cunning and a series of false identities in a violent battle for dominance, all while attempting to dodge the police.

A nobleman gradually falls in love with a woman he was forced by relatives to marry, against his will.

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a silent movie by Robert Wiene

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Sister Angelika has the power of life or death over her former tormentor, now sick and placed in her care.

Sister Angelika has the power of life or death over her former tormentor, now sick and placed in her care.

Anastasia's supposed escape and possible survival was one of the most popular historical mysteries of the 20th century, provoking many books and films. At least ten women claimed to be her, offering varying stories as to how she had survived. Anna Anderson, was maybe the best known Anastasia impostor.

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The title alludes to the popular 1925 song I Lost My Heart in Heidelberg composed by Fred Raymond with lyrics by Fritz Löhner-Beda and Ernst Neubach. The film taps into the nostalgic reputation of Old Heidelberg.

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No synopsis available yet.