Marcus Vinicius Diniz

In the midst of conservative politics in the city of Goiânia, an anti-prohibitionist collective mobilizes for the legalization of marijuana against government repression.

Between the micro and the macro, the choreography remains the same. The film draws a visual parallel between the social organization of ants and the daily lives of construction workers, revealing the collective strength and the invisibility of those who carry the weight of the world on their shoulders.

In the midst of conservative politics in the city of Goiânia, an anti-prohibitionist collective mobilizes for the legalization of marijuana against government repression.

In the midst of conservative politics in the city of Goiânia, an anti-prohibitionist collective mobilizes for the legalization of marijuana against government repression.

Between the micro and the macro, the choreography remains the same. The film draws a visual parallel between the social organization of ants and the daily lives of construction workers, revealing the collective strength and the invisibility of those who carry the weight of the world on their shoulders.