Bhudo Advani

Mehboob presents the autonomous passion of Leela (Rose) for Moti (Motilal) who is promised to another woman, Bina (Maya). Leela is portrayed as irresponsible and impulsive as she acknowledges her desire for Moti and has a child by him. Bina then releases Moti from his promise. Moti suffers when he is told by Bina’s father (Sankantha) that she is dead, while Leela’s father (Pande) enjoins his daughter to commit suicide if Moti does not marry her. In spite of the film’s endorsement of ‘traditional’, lethally oppressive patriarchal mores, incarnated by the women’s fathers, Mehboob’s narrative at least dares to depict a woman who refuses to feel guilty about her desire.

Prakash returns home to his wife Rajni after completing his studies, but his sister-in-law Bijli spreads false stories to turn him against her and pushes her niece Sudha toward him. Sudha uncovers Bijli’s scheme, clears Rajni’s name, and restores peace to the marriage.

Kadu Makrani is a 1960 Gujarati historical fantasy film directed by Manhar Raskapur from India. The film tells the story of the historical figure Kadu Makrani, a bandit, fighting the British. The lead role was played by Arvind Pandya. The music was composed by Avinash Vyas. It was a commercial success.