Thomas Jolly

The fourth and final part of a cycle of horror and barbarism. The ultimate progression of an inexorable march of evil before the restoration of peace. It's not just about the magnetic and fascinating character: it's more the painting of a bruised and devastated society, conducive to the hatching of a monster in question.

Corinne Maclou is a background actor who dreams of one day being more than an extra. Confident her breakthrough is right around the corner, she befriends famous actor Sandrine Kiberlain, hoping it will help her achieve her goal.

On 26 July 2024, the largest-ever Olympic Games Opening Ceremony took place, beginning at 7.30 p.m. CET. The Opening Ceremony of the Olympic Games Paris 2024 was an unprecedented experience drawing on the natural light of the setting sun with all its nuances to illuminate the world’s best athletes as they travelled down the Seine, in the heart of the French capital.

French-Vietnamese actress Yvonne Nguyen dreams of a successful career in musicals, to the great displeasure of her mother, who would like her to pursue a more serious path. When Yvonne has no choice but to move back home, both women are strangers to each other. But, in the intimacy of the Vietnamese family restaurant's kitchen, they grow closer. Meanwhile, Yvonne is still after her dreams and finally gets the chance to audition for a big show.

A French adaptation of Seneca's play "Thyeste", staged by Thomas Jolly.

No synopsis available yet.

No synopsis available yet.

Discover the Paris 2024 Opening Ceremony full preparations, from first sketches until the very end of the show. We follow every aspect, including exclusive access to Celine Dion’s rehearsal, as a small team of dedicated individuals defy all odds to create one of the most incredible TV shows that has ever-been produced.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Systematically overturning accepted morals, Elagabalus dresses men as women, and names women to the Senate, favours sinning servants and humiliates generals. Baroque and carnivalesque, Eliogabalo is not, however, an opera that advocates a return to order. Leonardo García Alarcón, a finder of baroque gems, and Thomas Jolly are careful not to transform Eliogabalo into a sublime icon who would abase virtue. On the contrary, the conductor and young director, who are presenting their first production for the Paris Opera, accept the character’s contradictions and ambiguities

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.