Ultra Martini

An experimental film-poetry that follows Anjo, a person nearing 30, still bound to their mother. Their encounter with a mysterious masked figure becomes a projection of Anjo’s pain and desire. Through ritualistic acts and symbolic sacrifices, the film explores faith, scars, and the beauty of what cannot be saved. Performed entirely by trans actors, it blurs the line between body, theater, and cinema, creating a liminal space where suffering, desire, and transformation intertwine.

Mônica is an actress in a crisis triggered by the overexposure of her life as a celebrity. Young Kelly is not aware of that when she unsuccessfully tries to speak to Mônica as she is leaving a film shooting, in Brazil's countryside. Kelly will not give up and decides to try to meet her muse again.

A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.

An experimental film-poetry that follows Anjo, a person nearing 30, still bound to their mother. Their encounter with a mysterious masked figure becomes a projection of Anjo’s pain and desire. Through ritualistic acts and symbolic sacrifices, the film explores faith, scars, and the beauty of what cannot be saved. Performed entirely by trans actors, it blurs the line between body, theater, and cinema, creating a liminal space where suffering, desire, and transformation intertwine.