Lau Quevedo

A grandmother passes her legacy on to her granddaughter through a flower-shaped letter that she hides inside a house. A filmic piece about nothingness, where knowledge lies within the images and their value.

Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

A film diary of the author’s life, assembled from recovered footage spanning a decade, from 2005 to 2015, and divided into 15 parts. A chronicle of childhood, but also a portrait of an era and, above all, a contemplative meditation on the passage of time.

Joanet and Bufali reflect on consumerism in the desert

A young man searching for a mountain finds himself on an island where everyone speaks Catalan and dances the tango.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.

A grandmother passes her legacy on to her granddaughter through a flower-shaped letter that she hides inside a house. A filmic piece about nothingness, where knowledge lies within the images and their value.

A grandmother passes her legacy on to her granddaughter through a flower-shaped letter that she hides inside a house. A filmic piece about nothingness, where knowledge lies within the images and their value.

A grandmother passes her legacy on to her granddaughter through a flower-shaped letter that she hides inside a house. A filmic piece about nothingness, where knowledge lies within the images and their value.

Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

A film diary of the author’s life, assembled from recovered footage spanning a decade, from 2005 to 2015, and divided into 15 parts. A chronicle of childhood, but also a portrait of an era and, above all, a contemplative meditation on the passage of time.

Joanet and Bufali reflect on consumerism in the desert

A young man searching for a mountain finds himself on an island where everyone speaks Catalan and dances the tango.

A young man searching for a mountain finds himself on an island where everyone speaks Catalan and dances the tango.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.

Sensei Miau suspects that Nanban Bub has stolen his breakfast apple and will do anything to get it back