Lorenzo Gonnelli

Grosseto, early 1990s. In an abandoned quarry, Sami, a young Albanian boy, lives in isolation with Massimo, who looks after him. During the night, the arrival of a man with a kidnapped child transforms the quarry into a suspended, indecipherable space, in which Sami is left alone.

On a desolate beach, a girl finds herself stuck with her car, trapped in the sand. Her presence there has a specific purpose: to transport a dead body to a nearby pigpen. With effort, she begins to drag the inert body across the sand, while the camera on her cell phone captures every moment. In this intimate gesture, the complex relationship that binds the girl to the corpse is revealed.

In the landscape of Monte Amiata, organic memory and industrial presence merge. The traces of human activity settle into nature like silent apparitions, blurring the boundaries between the man-made and living matter.

Grosseto, early 1990s. In an abandoned quarry, Sami, a young Albanian boy, lives in isolation with Massimo, who looks after him. During the night, the arrival of a man with a kidnapped child transforms the quarry into a suspended, indecipherable space, in which Sami is left alone.

Grosseto, early 1990s. In an abandoned quarry, Sami, a young Albanian boy, lives in isolation with Massimo, who looks after him. During the night, the arrival of a man with a kidnapped child transforms the quarry into a suspended, indecipherable space, in which Sami is left alone.

On a desolate beach, a girl finds herself stuck with her car, trapped in the sand. Her presence there has a specific purpose: to transport a dead body to a nearby pigpen. With effort, she begins to drag the inert body across the sand, while the camera on her cell phone captures every moment. In this intimate gesture, the complex relationship that binds the girl to the corpse is revealed.

On a desolate beach, a girl finds herself stuck with her car, trapped in the sand. Her presence there has a specific purpose: to transport a dead body to a nearby pigpen. With effort, she begins to drag the inert body across the sand, while the camera on her cell phone captures every moment. In this intimate gesture, the complex relationship that binds the girl to the corpse is revealed.

On a desolate beach, a girl finds herself stuck with her car, trapped in the sand. Her presence there has a specific purpose: to transport a dead body to a nearby pigpen. With effort, she begins to drag the inert body across the sand, while the camera on her cell phone captures every moment. In this intimate gesture, the complex relationship that binds the girl to the corpse is revealed.

In the landscape of Monte Amiata, organic memory and industrial presence merge. The traces of human activity settle into nature like silent apparitions, blurring the boundaries between the man-made and living matter.

In the landscape of Monte Amiata, organic memory and industrial presence merge. The traces of human activity settle into nature like silent apparitions, blurring the boundaries between the man-made and living matter.