Pedro Kosovski

After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeiro where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.

The film tells a little of the history of Brazil immersed in the caricature of the conditions of making cinema in this country. Flora and Carlos Manoel fall in love. She, from a family linked to the Monarchy, and he, a republican activist, live their love in the last days of the monarchy, without knowing that the end of the empire would also mean the end of their romance.