Marcin Strauchold

Janusz Morgenstern was a director of films and TV series that left a permanent mark on Polish cinema, such as ‘Good Bye, Till Tomorrow’, ‘To Kill This Love’ or ‘More Than Life at Stake’. Morgenstern’s portrait is woven out of broadcasts, photos, interviews with his loved ones and his own films.

Anka ends up at a historical reenactment camp thanks to her boyfriend. She tries to find her place in the community, but it turns out that historical prejudices against women are surprisingly current. The camp participants are dedicated to playing roles from the past, but at the same time, there is a modern social game going on between them.

Janusz Morgenstern was a director of films and TV series that left a permanent mark on Polish cinema, such as ‘Good Bye, Till Tomorrow’, ‘To Kill This Love’ or ‘More Than Life at Stake’. Morgenstern’s portrait is woven out of broadcasts, photos, interviews with his loved ones and his own films.

Janusz Morgenstern was a director of films and TV series that left a permanent mark on Polish cinema, such as ‘Good Bye, Till Tomorrow’, ‘To Kill This Love’ or ‘More Than Life at Stake’. Morgenstern’s portrait is woven out of broadcasts, photos, interviews with his loved ones and his own films.

Anka ends up at a historical reenactment camp thanks to her boyfriend. She tries to find her place in the community, but it turns out that historical prejudices against women are surprisingly current. The camp participants are dedicated to playing roles from the past, but at the same time, there is a modern social game going on between them.

Anka ends up at a historical reenactment camp thanks to her boyfriend. She tries to find her place in the community, but it turns out that historical prejudices against women are surprisingly current. The camp participants are dedicated to playing roles from the past, but at the same time, there is a modern social game going on between them.