Directing

Luiz Antonio Godoy

Place of birth

Rio de Janeiro, Brazil

Known for

Directing

Credits

9 titles

Official site

Luiz Antonio Godoy is Brazilian writer director based in the US. During his youth, films were his window to the world, which made him grow to understand they are a powerful form of connection. His films often offer a unique perspective on life and what it means to be human.

Known for

While their country is being destroyed, two soldiers need to decide between going in a suicide mission or spend their last days peacefully.

Existential Sin

—

After realizing he has almost enough doses for a lethal one, broken musician Steve asks his roommate to rob a pharmacy.

Acedia (or Hopefully Gone Sooner Than Later)

—

After exhausting his resources, a painter’s effort to complete his work becomes an act of dissolution.

Snake’s Tail

—

In a world drained of color, a solitary traveller follows traces of red towards a door that may not remain.

M'a Tué

—

Behind the camera

While their country is being destroyed, two soldiers need to decide between going in a suicide mission or spend their last days peacefully.

Existential Sin

—

While their country is being destroyed, two soldiers need to decide between going in a suicide mission or spend their last days peacefully.

Existential Sin

—

After realizing he has almost enough doses for a lethal one, broken musician Steve asks his roommate to rob a pharmacy.

Acedia (or Hopefully Gone Sooner Than Later)

—

After realizing he has almost enough doses for a lethal one, broken musician Steve asks his roommate to rob a pharmacy.

Acedia (or Hopefully Gone Sooner Than Later)

—

After exhausting his resources, a painter’s effort to complete his work becomes an act of dissolution.

Snake’s Tail

—

After exhausting his resources, a painter’s effort to complete his work becomes an act of dissolution.

Snake’s Tail

—

After exhausting his resources, a painter’s effort to complete his work becomes an act of dissolution.

Snake’s Tail

—

In a world drained of color, a solitary traveller follows traces of red towards a door that may not remain.

M'a Tué

—

In a world drained of color, a solitary traveller follows traces of red towards a door that may not remain.

M'a Tué

—