Verônica Tamaoki

The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.