Ilgar Musayev

A crime-detective film by Vusal Mammadov

The film is about the khan of khans, the brave commander Javad Khan, who fought for his homeland against Russian troops led by Sisianov at the beginning of the 19th century, together with his sons, and died bravely.

The events depicted in the film embody the spirit, determination, and self-sacrifice of a generation that stood up to defend the Homeland, as exemplified by the special forces. At the center of the plot stand Special Forces officer Rashad Khalilov, Zeynep Ozdemir—a Turkish orthopedic surgeon working in Azerbaijan—and Colonel Ramazan Karimov, commander of the special operations group.

The movie describes the last remaining years of the great Azerbaijani poet, Huseyn Javid who was the victim of 1937-1938 USSR repression.

The feature documentary film dedicated to the 100th anniversary of the Azerbaijan Democratic Republic. The film highlights the events that took place on the last days of the Azerbaijan Democratic Republic.

A terrorist act is being prepared against the state of Azerbaijan and its head by the hands of Armenian special bodies. International terrorist Zorik Babayan, who leads the ethnic cleansing operations against Azerbaijanis in Karabakh, receives an assignment from the Armenian state to kill the head of state of Azerbaijan. Despite the operative operations, Zorik Babayan manages to come to Baku. In addition, a group of traitors is trying to prevent the neutralization of the terrorist. General Ali Talibov is assigned to prevent a terrorist attack.

The film on the Khojaly tragedy, tells the story of a young officer, unfolding against the backdrop of the terrible events of February 1992.

Residents are slowly leaving the village due to thirst. Only one family, aunt Nakhish and man Rahim, endured a thousand hardships to guard the grave of Allahverdi, their only child who died in the Karabakh war.

Based on the play by Ilyas Efendiyev of the same name.

Shahriyar, whose father was murdered by a businessman, unintentionally kills the businessman’s son Shahmar. Not knowing what to do, he leaves the body in the trunk of the car and goes to his best friend, Agshin.

There are issues of spirituality, morality, love and loyalty in the center of the dramatic story that took place in one of the villages around Baku.

The film highlights the lives and deeds of Azerbaijani atabegs Shams ad-Din Eldeniz and Kara Sungur, who played a key role in strengthening the state in the 12th century. Shams ad-Din Eldeniz, the first great atabeg of Azerbaijan, leads successful campaigns, reclaiming territories and uniting the country under his rule. Kara Sungur, the ruler of Aran, engages in political intrigues and military campaigns to protect his lands and influence the sultanate. The film depicts their struggle for power, military achievements, and complex relations with allies and enemies.

In 1989, Yavar, who was serving a sentence in one of the remote prisons of the Soviet Union, returned to his native land, Karabakh - to the village of Yukhari Veysalli in the Fuzuli region. But everything has changed here, and the massacre of peaceful Azerbaijanis by Armenian militants has resulted in the deployment of Soviet peacekeepers in the region. Moreover, there is no news of Garatel, whom Yavar has loved for years and whom he was preparing to marry. Yavar, who takes on the defense of Yukhari Veysalli and the surrounding villages, gathers fighters around him. But when he comes face to face with Alexander Rokhlin, who leads the Soviet peacekeepers, he is astonished and is faced with a choice.

The film tells about three childhood friends. Friends rent a house for their girlfriend who flew from America. Although the house looks ordinary, strange things start happening in the neighborhood. Once, on the birthday of one of the friends, many things become known. The main events occur after the birthday.

No synopsis available yet.

Each of the patients in the psychiatric clinic lives in a world he has created in his imagination, one even says that he comes from another planet and believes it. They live in a beautiful abode that he has created in his mind. One considers himself the leader of the Soviet state I.V. Stalin, and lives in a world of memories, regretting his actions all day long. The other considers himself the famous French actress Sarah Bernhardt and lives her life in a world of images, imagining herself on stage every minute. Although the head doctor in the work tries to understand the imaginary world of the patients, he finally realizes that people who are treated as patients actually live in their own comfortable worlds, and this world is more than the real world.