Eddie Yukun Long

Sadie, a translator who struggles to find the most accurate translation of words, tries to clarify her own emotions and visions as she helps Parker, an indie videographer, to translate her documentary.

Emiri, a Japanese girl who escapes her hometown to a foreign city accidentally discovers another Japanese girl with the same name and connects with her by listening to her recorded answering machine messages.

Digitizing union newspapers in the quiet of a dark room, a filmmaker reflects on their relationship to labor.

Shenzhen, New York. The 16th typhoon of the year is approaching the Chinese coast. In the sweltering night, two queer voices call out to one another from each of the cities. Slowly, the two metropolises, filmed on celluloid, overlap and merge. The two voices then fear another typhoon approaching, one that is even more threatening.

Sadie, a translator who struggles to find the most accurate translation of words, tries to clarify her own emotions and visions as she helps Parker, an indie videographer, to translate her documentary.

Sadie, a translator who struggles to find the most accurate translation of words, tries to clarify her own emotions and visions as she helps Parker, an indie videographer, to translate her documentary.

Emiri, a Japanese girl who escapes her hometown to a foreign city accidentally discovers another Japanese girl with the same name and connects with her by listening to her recorded answering machine messages.

Digitizing union newspapers in the quiet of a dark room, a filmmaker reflects on their relationship to labor.

Shenzhen, New York. The 16th typhoon of the year is approaching the Chinese coast. In the sweltering night, two queer voices call out to one another from each of the cities. Slowly, the two metropolises, filmed on celluloid, overlap and merge. The two voices then fear another typhoon approaching, one that is even more threatening.