Kukay Bautista Zinampan

A man seeks pleasure late at night along the barren spaces of the city

In a small bar illuminated by neon lights and pulsing with loud music, a queer guy, his face etched with melancholy, is lured to the dance floor by a daring stranger. They dance freely while drinking and share a moment of fondling, charged with sexual desires. Overcome by the thrill, the queer guy feels dizzy as everything starts to slow and blur.

A filmmaker roams around to film the lives of people during the longest day of the year.

Two brothers' sporadic visits to their death-ridden mother becomes the long-lost road to their unending love for each other.

Mga Tala sa Kagandahan (Notes on Beauty) follows a filmmaking and theatre workshop for genderqueer kids (in swardspeak, baby bakla) in a Sitio in the City Antipolo, Rizal - a known pilgrimage site east of Manila. Its assertion: the right to our own representation, in front of and behind the camera. The footage, majority of which are shot by the kids, are a mixture of moments of learning and play times, that hopes to show the kids' view of the world in their first takes.

It’s the last day of high school. Three misfits: Mike, Jeremy, and Marie are tasked to edit the graduation video. As they review the footage, their batchmate’s video contains a confession that their principal harassed her. The group has to decide whether or not to expose the issue as each deals with their own secrets.

Two trans-folx friends, together with their dog and plants, grieve for and with each other during a 14-day quarantine period.

RAMPAGE! (or the parade)