Karl Etlinger

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

Mayor Eberhorn is known as a womanizer to everyone in the village. Katchen, his wife, is constantly trying to convert him to a proper way of life … but in vain. When one morning, Casanova finds a stroller with a clever slogan referencing his affairs at his front door, Eberborn seeks revenge. Top suspects for the prank? The “Spassvogel”: seven friends led by the former sailor Hannes Strobel.

No synopsis available yet.

Annabella, Jean Gabin and Fernand Gravey star as a trio of circus trapeze artists. Both Gabin and Gravey love Annabella, but she has eyes only for Gravey. Seething with jealousy, Gabin plots revenge against his rival. He "accidentally" drops Gravey into a net during rehearsal -- but does he plan to do the same during a performance, when the trio works without a net?

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Dietz' relatives are horrified to discover that Dietz, the son of a wealthy merchant, is planning to marry an actress, who is known to appear in rather daring roles. Dietz finds a way to escape from a gathering over coffee, during which he's supposed to be introduced to "decent ladies". After all, his great love is waiting for him somewhere else.

No synopsis available yet.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This is a German-language version made in Hollywood along side the 1930 production directed by John Francis Dillon.

Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her.

Writer Johannes Pfeiffer who goes undercover as a student in a high school after his friends told him that he missed out on a great life experience since he was home schooled.

In 1848, the freedom-loving Hungarian people, led by Ludwig Kossuth, rose up against the hated rule of the Austrian Habsburg dynasty. In its expansionist policy, the Austrian monarchy had long relied on Hungarian feudal lords who betrayed the interests of their people. The anger of the rebels was directed against the Austrian oppressors and their Hungarian supporters. Against the backdrop of these historical events, the personal fate of the Hungarian patriot Maria Ilona is shown.

The young opera singer Carla is in love with the talented young composer Michele, who wants to make it big with classical music and writes his first opera, "The Return of Odysseus," for Carla. But Carla is more successful than he is and gets a gig at La Scala in Milan. Through her connections, she manages to find a publisher for Michele's opera. But when Michele learns what the publisher really thinks of his work, he leaves and abandons Carla. A year later, Carla finds Michele again. He has since become a sought-after composer, but is embittered because he is only successful with pop songs. His new revue "Dream Music," a reworking of his opera, is about to premiere. Carla then arranges for Michele's original opera to premiere in Budapest with her in the lead role.

Vroni defies her dad: she won't marry miller Balduin but her true love Franz. The father insists, but friend Kleefass helps and steals all marriage certificates of the town - resulting in sudden lawlessness and a chaotic night of passion.

This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.

A woman steals money from her banker husband but her lover, a baron, is jailed.He escapes and under a new identity is a circus daredevil but she threatens him and his new sweetheart.

Fritz is in love with artist Glay, who stays at the Grand Hotel. In spite of not having any money he gets to know her, invites her to supper and after dancing a tango even hires the royal suite. How will he get out of this is a mystery even to himself.

Actually, Erika and Werner wanted to take a pleasant boat trip on the Isar. But who would have thought what could happen during such a simple outing?! Werner Merk, who works as an engineer for a large car company in Munich, finds out, that the head of the firm, Director Feldmann, is spending his summer vacation at his house in the mountains. Werner up and decides to make his way their to introduce himself to Feldmann in a relaxed atmosphere.

The two aspiring actresses Jeanette and Mimi are waiting for their big chance. But the real breakthrough is slow in coming. Jeanette especially desperately needs a big success, since her friend, the journalist Stephan, is about to lose his job. When the two have their chance to take a ride in a posh car during a shooting, Jeanette slams on the throttle and the two friends take off. Their aimless journey takes them to a fashionable winter sports’ hotel, where Jeanette reserves a name under “The Countess of Monte Christo”. Everything’s going dandy; no one suspects a thing. That is, until two impostors, Rumowski and “The Baron” take residence in the same hotel.

"Kidnapper wanted – minimum age 45. Beauty not required!" – so reads the less-than-flattering text of an advertisement on which brothers Achim, Gerd, and Rolf Terbrügge are pinning all their hopes. The three bachelors have a nephew named Till whom they need to look after. It wasn't that the five-year-old had scared off all the previous girls who had looked after him – the problem lay more in the nature of the three brothers themselves! As soon as one of the young women arrived, she was usually very pretty and immediately sparked rivalry among the unmarried men. This couldn't end well. But now they've found a suitable candidate: her name is Luise Mehlhorn, and she certainly doesn't fit the conventional definition of beauty. The Terbrügges immediately accept her offer. But then there's a problem: Luise is in bed with mumps and a high fever and can't start the position right away.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

This is the German-language version of 1930's "The Way of All Men", shot by Warner Bros. in Hollywood with a German-speaking cast.

Rudi, who’s been quite the ladies’ man, finally wants to settle down and marry Hilde. So as to not get into a touchy situation with all his many women, he plans to bring them all together the night before his wedding. While sitting alone in his apartment and burning all his old photos and love letters, he notices a woman in the garden. She assets, that she’s hiding from a stubborn admirer and he stupidly offers her to come in … and then it all begins! First, his wife-to-be Hilde shows up, who wants to spend the night before their wedding together. While Rudi tries to hide the unknown woman in his bedroom, a hotel detective shows up and claims he’s following a thief.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.

Herr Hoffmann is a famous widowed singer with a young daughter to raise, aided by his faithful manager. They meet a girl and Hoffmann falls for her, reluctant to believe that in fact she is in love with a musician.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This is a German-language version made in Hollywood along side the 1930 production directed by John Francis Dillon.