Orangel Lugo

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

After four years without visiting her homeland, Orangel returns to record the places of her memories: her grandparents' house, her deceased great-aunt's house, her childhood best friend's house, and the bay. What is not precarious is uninhabited or broken, like her childhood photos and those of her deceased mother, objects that she takes with her.

In the midst of the devastating drought of 1912 on the Paraguaná Peninsula, two young people, Vicenta and Paito, find themselves in a moment of loss and hope, and decide to undertake a dangerous journey to Coro, facing thirst, hunger and death in their search for a better future.

In the midst of the devastating drought of 1912 on the Paraguaná Peninsula, two young people, Vicenta and Paito, find themselves in a moment of loss and hope, and decide to undertake a dangerous journey to Coro, facing thirst, hunger and death in their search for a better future.

In the midst of the devastating drought of 1912 on the Paraguaná Peninsula, two young people, Vicenta and Paito, find themselves in a moment of loss and hope, and decide to undertake a dangerous journey to Coro, facing thirst, hunger and death in their search for a better future.

After dedicating herself to caring for her deceased parents, a sixty-year-old woman lives alone in her family home, insisting that her siblings meet up, either to sign the legal documents for the house or without excuses, to have her company.

After dedicating herself to caring for her deceased parents, a sixty-year-old woman lives alone in her family home, insisting that her siblings meet up, either to sign the legal documents for the house or without excuses, to have her company.

Film written and directed by Gabriel Avilán, Andrea Guglietta, Orangel Lugo, Leandro Lioh Navarro,, Carlos Novella and Alan Ohep.

Film written and directed by Gabriel Avilán, Andrea Guglietta, Orangel Lugo, Leandro Lioh Navarro,, Carlos Novella and Alan Ohep.

Five stories, five perspectives on the same emotional territory called “country.” A Cuban actress tries to make her way in Chile; two women reunite after decades and confront the passing of time; another survives in solitude while facing her fears; a father and son seek reconciliation amid old wounds; and a birth turns into a desperate race for life. Five intertwined stories—small tales of love, loss, and hope—forming an intimate mosaic about identity, belonging, and the search for a place in the world.

Eleven vignettes from the vision of different writers and directors who depict Venezuelan culture very subtly through different genres.

Eleven vignettes from the vision of different writers and directors who depict Venezuelan culture very subtly through different genres.