Lucas A. Vignale

In a world where fame is measured in likes and followers, Gaspi—a social media icon who had been absent for years—decides to return to the digital stage with a video that promises to reveal all. Through a deeply intimate narrative, Gaspi shares his journey of introspection, the shadows behind his popularity, and the unexpected turn his life took away from the spotlight. As glimpses of his experiences unfold, his words hint at a radical shift that could transform not only his own future but also that of his followers.

Gaspi flees the city, but he cannot escape his destiny. He agrees to take part in a boxing match solely for the money, placing himself at the mercy of his new trainer, Sergio Bara. Together, they will experience moments that are funny, bizarre, and dreamlike, guided by a single motto: “Hit… and don’t get hit.”

In a small rural town on the outskirts of Buenos Aires, a man lives crushed by loneliness, unable to bear the feeling of being alive. Clinging to miracles, he becomes obsessed with the figure of Jesus and desires to become him.

How much does light weigh? asks Clarice Lispector. It weighs as much as a camera. It weighs as much as the person who turns it on. The weight of their heart. Of their old romances. It also weighs a little more because there are their memories, some unforgettable. But what's the point of calculating. What's the point of naming. Kilos. Words. That makes the light disappear. I was wrong, Clarice, light is not weighed, it is filmed. And whoever films it has to carry the weight that comes with seeing the light, the weight of wanting to see it again. I met a man who, when he turned on the camera, the light appeared. And he liked filming it so much that he went very close to the sun. But he told me that's not the light. That light appears when we wait seated in the dark. Like in a movie theater? I asked him. And then he didn't want to answer me anymore.

In this documentary on the first anniversary of Tripolar, we tell the story of Luna Park and the process of the studio album

Nine-year-old Milo lives in a remote Argentinian village where he studies the Malambo, a folk dance full of bravura. He is an excellent dancer, but Milo’s only desire is to escape the countryside on a train for the Buenos Aires of his dreams.

In a world where fame is measured in likes and followers, Gaspi—a social media icon who had been absent for years—decides to return to the digital stage with a video that promises to reveal all. Through a deeply intimate narrative, Gaspi shares his journey of introspection, the shadows behind his popularity, and the unexpected turn his life took away from the spotlight. As glimpses of his experiences unfold, his words hint at a radical shift that could transform not only his own future but also that of his followers.

In a world where fame is measured in likes and followers, Gaspi—a social media icon who had been absent for years—decides to return to the digital stage with a video that promises to reveal all. Through a deeply intimate narrative, Gaspi shares his journey of introspection, the shadows behind his popularity, and the unexpected turn his life took away from the spotlight. As glimpses of his experiences unfold, his words hint at a radical shift that could transform not only his own future but also that of his followers.

Gaspi flees the city, but he cannot escape his destiny. He agrees to take part in a boxing match solely for the money, placing himself at the mercy of his new trainer, Sergio Bara. Together, they will experience moments that are funny, bizarre, and dreamlike, guided by a single motto: “Hit… and don’t get hit.”

Gaspi flees the city, but he cannot escape his destiny. He agrees to take part in a boxing match solely for the money, placing himself at the mercy of his new trainer, Sergio Bara. Together, they will experience moments that are funny, bizarre, and dreamlike, guided by a single motto: “Hit… and don’t get hit.”

In a small rural town on the outskirts of Buenos Aires, a man lives crushed by loneliness, unable to bear the feeling of being alive. Clinging to miracles, he becomes obsessed with the figure of Jesus and desires to become him.

In a small rural town on the outskirts of Buenos Aires, a man lives crushed by loneliness, unable to bear the feeling of being alive. Clinging to miracles, he becomes obsessed with the figure of Jesus and desires to become him.

How much does light weigh? asks Clarice Lispector. It weighs as much as a camera. It weighs as much as the person who turns it on. The weight of their heart. Of their old romances. It also weighs a little more because there are their memories, some unforgettable. But what's the point of calculating. What's the point of naming. Kilos. Words. That makes the light disappear. I was wrong, Clarice, light is not weighed, it is filmed. And whoever films it has to carry the weight that comes with seeing the light, the weight of wanting to see it again. I met a man who, when he turned on the camera, the light appeared. And he liked filming it so much that he went very close to the sun. But he told me that's not the light. That light appears when we wait seated in the dark. Like in a movie theater? I asked him. And then he didn't want to answer me anymore.

In this documentary on the first anniversary of Tripolar, we tell the story of Luna Park and the process of the studio album

Nine-year-old Milo lives in a remote Argentinian village where he studies the Malambo, a folk dance full of bravura. He is an excellent dancer, but Milo’s only desire is to escape the countryside on a train for the Buenos Aires of his dreams.

Ana locks herself in her favorite hotel to spend her twenty-seventh birthday. She has decided to end her life and, before doing so, she calls her closest friends and family to say goodbye.

Ana locks herself in her favorite hotel to spend her twenty-seventh birthday. She has decided to end her life and, before doing so, she calls her closest friends and family to say goodbye.