Juana González Posse

Ita's voice tells anecdotes of her life about close losses, which allows us to glimpse her fears and her relationship with oblivion, while she reflects on the similarities between decomposition, life and cinema.

A girl arrives in Buenos Aires to move alone for the first time.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.

Ita's voice tells anecdotes of her life about close losses, which allows us to glimpse her fears and her relationship with oblivion, while she reflects on the similarities between decomposition, life and cinema.

A girl arrives in Buenos Aires to move alone for the first time.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.