Mustafa Emir Atalay

The Last Day of March

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

No synopsis available yet.

Love, jealousy, ambition. In the 17th century, a violinist becomes consumed by the passion to create a flawless composition. His hopeless love ultimately drives him to strike a deal with the devil.

The Last Day of March

The Last Day of March

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

No synopsis available yet.

Love, jealousy, ambition. In the 17th century, a violinist becomes consumed by the passion to create a flawless composition. His hopeless love ultimately drives him to strike a deal with the devil.

Love, jealousy, ambition. In the 17th century, a violinist becomes consumed by the passion to create a flawless composition. His hopeless love ultimately drives him to strike a deal with the devil.