Kim Hyo-jun

Jung-ho, a son who lives with his mother in a single room in student accommodation, learns of the existence of a new credit card his mother made secretly. Now, he decides to take extraordinary measures.

Facility No. 6, a juvenile protective detention center, stands on the verge of closure. A documentary crew steps inside to record what little remains, and from the moment the cameras turn on, they find themselves before long-buried wounds and truths no one has wanted to face. In the worn faces of teachers who have spent themselves caring for these children, and beneath the indifference of a society that has long since turned its head away from the other side of the wall, the crew quietly bears witness to how children with nowhere left to go have arrived at this place.

Sung-mi, a middle school student who works as an actress in commercial films, appears in a short film as a part-time job to buy an iPad. One day, after the director leaves due to an injury during filming, she decides to become the director of the short film herself.

As Sung-hee, a middle school senior aspiring to become a pianist, prepares for an arts high school entrance exam, she finds herself unexpectedly confused during a lesson on Schubert’s Wanderer Fantasy. What does it really mean to play in a "feminine" way?

Jung-ho, a son who lives with his mother in a single room in student accommodation, learns of the existence of a new credit card his mother made secretly. Now, he decides to take extraordinary measures.

Facility No. 6, a juvenile protective detention center, stands on the verge of closure. A documentary crew steps inside to record what little remains, and from the moment the cameras turn on, they find themselves before long-buried wounds and truths no one has wanted to face. In the worn faces of teachers who have spent themselves caring for these children, and beneath the indifference of a society that has long since turned its head away from the other side of the wall, the crew quietly bears witness to how children with nowhere left to go have arrived at this place.

Sung-mi, a middle school student who works as an actress in commercial films, appears in a short film as a part-time job to buy an iPad. One day, after the director leaves due to an injury during filming, she decides to become the director of the short film herself.

As Sung-hee, a middle school senior aspiring to become a pianist, prepares for an arts high school entrance exam, she finds herself unexpectedly confused during a lesson on Schubert’s Wanderer Fantasy. What does it really mean to play in a "feminine" way?