
Directing
Diogo Vianna
Born
1985-05-10 (41)
Place of birth
Rio de Janeiro, Rio de Janeiro, Brazil
Known for
Directing
Credits
4 titles
Known for
6.5A documentary amplifying the voices of women marginalized by Brazil’s penal system. It follows Érica and Núbia, who met in prison and forged a deep bond that endures beyond the bars. Now on parole, they recount stories of abuse, overcrowding, and the erasure of their identities as women. Lacking legal support, they confront these hardships with courage and humor. The film exposes the invisibility and neglect faced by incarcerated women, challenging sensationalist portrayals and urging empathy. It seeks to humanize their experiences, sparking debate about the cruelty and inefficacy of the penal system, and reclaiming the dignity of lives society too easily forgets.
Across the Hall
2025
NRSomething changed? Thirteen years after the biggest flood ever recorded in Rio de Janeiro, director Diogo Vianna talks to Guilherme Meirelles, the "Angry Driver", about the viral excerpt from the documentary “Flood of Truth”. With never-before-seen images, they talk about the behind-the-scenes of what happened, the city's issues and the repercussions of their speech.
The Flood, The Driver and the Revolt.
2024
No synopsis available yet.
Commando em Ação
2025
Film credits
2020s · 2 titles
NRSomething changed? Thirteen years after the biggest flood ever recorded in Rio de Janeiro, director Diogo Vianna talks to Guilherme Meirelles, the "Angry Driver", about the viral excerpt from the documentary “Flood of Truth”. With never-before-seen images, they talk about the behind-the-scenes of what happened, the city's issues and the repercussions of their speech.
The Flood, The Driver and the Revolt.
2024
No synopsis available yet.
Commando em Ação
2025
Behind the camera
6.5A documentary amplifying the voices of women marginalized by Brazil’s penal system. It follows Érica and Núbia, who met in prison and forged a deep bond that endures beyond the bars. Now on parole, they recount stories of abuse, overcrowding, and the erasure of their identities as women. Lacking legal support, they confront these hardships with courage and humor. The film exposes the invisibility and neglect faced by incarcerated women, challenging sensationalist portrayals and urging empathy. It seeks to humanize their experiences, sparking debate about the cruelty and inefficacy of the penal system, and reclaiming the dignity of lives society too easily forgets.
Across the Hall
2025
NRSomething changed? Thirteen years after the biggest flood ever recorded in Rio de Janeiro, director Diogo Vianna talks to Guilherme Meirelles, the "Angry Driver", about the viral excerpt from the documentary “Flood of Truth”. With never-before-seen images, they talk about the behind-the-scenes of what happened, the city's issues and the repercussions of their speech.
The Flood, The Driver and the Revolt.
2024
