Oliver Becker

After spending 10 years abroad, Russian composer and pianist Sergei Prokofiev travels back home for the first time in 1927, on invitation from the Soviet Union. Details of the trip were kept in his personal diary, discovered in 1989, with which this film begins. As a turning point in his life, the journey was the catalyst that led to his ultimate return and settling back in his homeland in 1936, the tragic consequences of which were yet to be known. With both professional and personal problems that ensued until his early death in 1953, this film reveals Prokofiev’s musical genius and his human failings. Contributors include his son Sviatoslav and Soviet cultural bureaucrat Tichon Chrenikov, Valery Gergiev, and Karen Khachaturian.

Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. Some claim Scriabin pioneered atonality before Schoenberg. Key works: Poème, Op. 32 No. 1 (1903) and Vers la flamme, Op. 72 (1914). Featuring commentary from esteemed musicians like Eduard Artemyev, Vladimir Ashkenazy and Vladimir Horowitz, Artist: Hermann Nitsch, conductor Mikhail Pletnev and insights from Scriabin’s daughter: Marina Scriabine, this documentary offers a unique glimpse into the life and works of one of music’s most enigmatic figures. Shot across stunning locales in Switzerland, Italy and Russia, enriched with Scriabin’s own writings and rare archival materials. The highlight includes a historic recording of Scriabin himself, playing his Poem Op. 32 No. 1 on a Welte Mignon player-piano, recorded in 1908.

When unveiled in 1904, the Welte-Mignon reproducing piano was a sensation: a new technology which several of the greatest composers and musicians of the day – many who otherwise remain unrecorded – set down their performances for posterity. With the help of historical footage and extensive interview material, Oliver Becker's fascinating documentary explores the Welte-Mignon's origins and history – as well as the implications it had for composers and performers.

After spending 10 years abroad, Russian composer and pianist Sergei Prokofiev travels back home for the first time in 1927, on invitation from the Soviet Union. Details of the trip were kept in his personal diary, discovered in 1989, with which this film begins. As a turning point in his life, the journey was the catalyst that led to his ultimate return and settling back in his homeland in 1936, the tragic consequences of which were yet to be known. With both professional and personal problems that ensued until his early death in 1953, this film reveals Prokofiev’s musical genius and his human failings. Contributors include his son Sviatoslav and Soviet cultural bureaucrat Tichon Chrenikov, Valery Gergiev, and Karen Khachaturian.

Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. Some claim Scriabin pioneered atonality before Schoenberg. Key works: Poème, Op. 32 No. 1 (1903) and Vers la flamme, Op. 72 (1914). Featuring commentary from esteemed musicians like Eduard Artemyev, Vladimir Ashkenazy and Vladimir Horowitz, Artist: Hermann Nitsch, conductor Mikhail Pletnev and insights from Scriabin’s daughter: Marina Scriabine, this documentary offers a unique glimpse into the life and works of one of music’s most enigmatic figures. Shot across stunning locales in Switzerland, Italy and Russia, enriched with Scriabin’s own writings and rare archival materials. The highlight includes a historic recording of Scriabin himself, playing his Poem Op. 32 No. 1 on a Welte Mignon player-piano, recorded in 1908.

When unveiled in 1904, the Welte-Mignon reproducing piano was a sensation: a new technology which several of the greatest composers and musicians of the day – many who otherwise remain unrecorded – set down their performances for posterity. With the help of historical footage and extensive interview material, Oliver Becker's fascinating documentary explores the Welte-Mignon's origins and history – as well as the implications it had for composers and performers.