Tilbe Saran

Selamsiz (wich means 'no greeting') is a small town in Anatolia. The town has a lot of problems but noone from governments come and see the town. One day the mayor learns that the prime minister will come to the city. They, now, have a chance to solve their problems. However, they think that they should have a band to greet the prime minister.

Deniz ends up in hospital and has to face the ghosts of past. She manages to discover herself and the hidden secrets in her family drawers.

He is a boss who dedicates his life to grow up the textile empire he inherited from his father and does not hesitate to follow ruthless methods for it. He decides to choose a different life after a heavy traffic accident.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

The film explores the deep traces of the life of poetess Nilgün Marmara, her connection with the literary circle and those aspects of her life that have remained in the shadows until now.

A film on Haldun Taner, a respectable, democratic intellectual and a brilliant author of political essays, various genres and kinds of literary texts and especially theatre plays all of which have been a masterpiece in Turkey art history.

A woman’s voyage of discovery into the audiovisual shadows of a life and oeuvre of her favourite director: Turkish grandmaster Ömer Kavur. While the journey continues in abandoned towns, ruins and deserted hotels; an imaginary dialogue begins between the woman and Kavur.

A software company develops a security app to help women living alone feel more secure. A shadow man, which can be projected on the walls and window of the house for twenty-four hours, makes it seem like there is a young man who can move around the house, doing various activities and talking. Mine is a thirty-five-year-old young woman dependent on her mother.

A trio of Turkish brothers immigrants find themselves torn between two lands and cultures, with roots in neither.

Bergen, a valuable Turkish arabesque singer, fights to stay afloat despite all the difficulties in her life.

A middle-aged man emerges from a pandemic slump with a new job at a quiet hotel, until some eccentric guests turn his first night into a wild adventure.

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

Metin Akpınar has not been on the theater stage since 1992. In addition to TV series and movies, new generations were able to meet him with Devekuşu Kabare's six plays that could be recorded. As if it was written today, those who watched had a taste of his unique acting in current plays. It was an acting that accompanied his talent and his intellectual background. "I'm Glad I Did", when transferring through the years Metin Akpinar he brought his own narrative, on the other hand, offers a different approach to Turkey's recent history, leaving an archive for the future by refreshing memory.

German photographer Daniel Bert, who comes to Istanbul to do photo shoots, meets Can, who is a zenne at a nightclub, and Ahmet, who comes from a conservative eastern family.

The story of Taner, a lawyer who has problems with his aging wife, lives with his sister Saime, who is confined to a wheelchair, and is threatened and harassed because of his cases. Taner's personal and professional life continues in a tense environment as he has an affair with his closest friend's wife at his office. While trying to mend his troubled relationship with his wife, he is also troubled by documents handed over by a client involved in shady dealings. A gang is after these secret documents, which would cause chaos if made public. Saime, a loyal listener of Selma, who hosts a nighttime program on a local radio station, makes a suggestion to her brother. Taner joins Selma's program by phone at the insistence of his romantic, paralyzed sister, and an interesting relationship develops between Selma and Taner through the broadcast. Hundreds of people who listen to her heartfelt conversations every night, connecting with the radio studio, take an interest in this relationship.

‘Theatre is my life,’ Yıldız Kenter admits in her biography written by Dikmen Gürün. This is the story of a star, who has dedicated her whole life to her theatre company, students, the stage. Recounting the prizes received as well as the prices paid for pursuing your passion, Sweetie is a testimony to the transforming cultural landscape of the country as it tells Kenter Theatre’s story and thus how a private theatre has managed to survive. Including interviews by family members, students, fellow actors, as well as rare archival images and footage, Sweetie is an homage to the ‘North Star of Turkish theatre.’ The documentary was written by Zeynep Miraç, scored by Murat Evgin, and features Dikmen Gürün as advisor.

A very beautiful and blind girl, Gülüşan, marries miller Mestan and becomes his third wife. Gülüşan is not welcomed by the other wives, resulting in a dangerous power struggle among them.

In the middle of the night, a luxury jeep cruising the streets hits a poor villager on a moped. As the people in the jeep get out to see who they hit, the camera focuses on Reşo's life in the village. From that moment on, we begin to follow the life of Reşo, who lives in a rural area in the east. Following Reşo's story, the story of Yusuf, the editor-in-chief of a newspaper, and the shady dealings taking place at the newspaper are brought into focus. The story continues as the characters move toward the point where their paths collide.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

A man researches the death of his political activist father while in police custody.