Hattie Wade

Ear Twist is based on real and imagined conversations with the filmmakers mother, complicating the relationship. Through a reenactment of the mother-daughter roles, two performers talk themselves into an unpredictable psychological game where they constantly negotiate for power. By re-staging power dynamics, the work exposes the fragility of the roles we play.

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.

‘Sharp Objects’ follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost. The artists apply a tangible intervention on the photochemical material they use for the film. This time consuming approach embodies the narrative of the labor intensive iron forging craftmanship of a keris blacksmith.