Ivan Bilash

No synopsis available yet.

In the small town of Tyha Nava, a young lawyer, Adam Yushkevych, unexpectedly finds himself at the center of an investigation into a series of brutal crimes. Adam faces off against a corrupt system where law enforcement falsifies evidence, witnesses remain silent, and victims try to bury their trauma instead of fighting for justice.

A documentary film in ten parts. It covers the first three weeks of Russia’s full-scale invasion of Ukraine, a time when life was split into “before” and “after” and the problems of strangers became personal. The film is built on video diaries that recreate the experiences of Ukrainians in different wartime conditions — under shelling, in occupation, in bomb shelters, and in forced emigration. The project is based on documentary and artistic texts, poetry, interviews, and chronicles.

Four carefree bachelors get into a car accident after a night of partying and find themselves in purgatory — a world of endless bureaucracy and chaotic digital reforms. At the Heaven’s Office, they receive their sentence: a direct express train to hell. Using their charm, they convince the purgatory secretary to give them a chance — seven days on Earth to atone for their sins. But once back, they realize they’ve fallen into a trap hidden in the perfectly ironic fine print of heaven.

No synopsis available yet.

In the small town of Tyha Nava, a young lawyer, Adam Yushkevych, unexpectedly finds himself at the center of an investigation into a series of brutal crimes. Adam faces off against a corrupt system where law enforcement falsifies evidence, witnesses remain silent, and victims try to bury their trauma instead of fighting for justice.

A documentary film in ten parts. It covers the first three weeks of Russia’s full-scale invasion of Ukraine, a time when life was split into “before” and “after” and the problems of strangers became personal. The film is built on video diaries that recreate the experiences of Ukrainians in different wartime conditions — under shelling, in occupation, in bomb shelters, and in forced emigration. The project is based on documentary and artistic texts, poetry, interviews, and chronicles.