Sal Galarça

Where's the girl? Can you hold her for me? I need her now.

Experimental-poetic short film that portrays the director's mourning through a haiku film that has only three shots.

Everything is possible in Pedro Ribas's head

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Inspired by the filmography and thought of the filmmaker Cecelia Condit, "cecelia" is an experimental short film that follows the hazy memories that torment the protagonist as an alter ego guides her toward a painful truth.

Inspired by the filmography and thought of the filmmaker Cecelia Condit, "cecelia" is an experimental short film that follows the hazy memories that torment the protagonist as an alter ego guides her toward a painful truth.

WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.

After years spent apart from her mother, Gênesis feels lonelier than ever in the big city. She decides to rekindle this complicated relationship through a phone call that will change her life forever

After years spent apart from her mother, Gênesis feels lonelier than ever in the big city. She decides to rekindle this complicated relationship through a phone call that will change her life forever

Experimental-poetic short film that portrays the director's mourning through a haiku film that has only three shots.

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.