Alejandro Brugués

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

A deep dive into everything we love about horror — from fresh looks at classics to unearthing scores of hidden gems, this series has something for every fright film enthusiast.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning, he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.

A group of thirty-something friends from high school create their own Creepypasta about Pooka for laughs, but are shocked when it becomes so viral on the internet that it actually manifests more murdererous versions of the creature.

Billionaire Charles Abernathy, on the eve of his 75th birthday, invites his four estranged children back home out of fear that tonight someone – or something – is coming to kill him. To ensure his family will help protect him from whatever’s coming, Abernathy puts each of their inheritances on the line – they’ll get nothing if he’s found dead by dawn.

A deep dive into everything we love about horror — from fresh looks at classics to unearthing scores of hidden gems, this series has something for every fright film enthusiast.

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning, he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.

When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning, he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.

A group of thirty-something friends from high school create their own Creepypasta about Pooka for laughs, but are shocked when it becomes so viral on the internet that it actually manifests more murdererous versions of the creature.

Billionaire Charles Abernathy, on the eve of his 75th birthday, invites his four estranged children back home out of fear that tonight someone – or something – is coming to kill him. To ensure his family will help protect him from whatever’s coming, Abernathy puts each of their inheritances on the line – they’ll get nothing if he’s found dead by dawn.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

In Havana, where economic difficulties are numerous, two young people try to find out if love and aspirations can survive in a city defined by adversity.

Young Doctor Ana lives alone because she couldn't bear to leave Cuba when her family sailed away on a raft to the US. Ernesto lives in his car with his belongings in a small case, traveling from embassy to embassy trying to fulfill his dream of leaving Cuba. These Star-crossed lovers long to be together, they are pulled apart by different dreams rooted in different countries. In his directorial debut, Alejandro Brugués offers his personal view on the insistently revisited theme in Cuban art and literature - emigration and the laceration that it implies.

Film formed by three stories: Flash by Pavel Giroud, in which a photographer sees strange apparitions in his photographs; Lila by Lester Hamlet, on the forbidden love between a young couple; and Luz roja by Esteban Insausti, about two characters who begin an affair after they met by chance in a traffic hold-up.

A guy named Malcolm (Jonah Ray Rodrigues), who's figured out that he and his friends are marked for death for recording a sacred ceremony on their trip to Cuba. He tries to confront the last remaining survivor, his ex-girlfriend, but she's probably already demonically possessed