Regina Weinreich

The Beat Hotel, a new film by Alan Govenar, goes deep into the legacy of the American Beats in Paris during the heady years between 1957 and 1963, when Allen Ginsberg, Peter Orlovsky and Gregory Corso fled the obscenity trials in the United States surrounding the publication of Ginsberg’s poem Howl. They took refuge in a cheap no-name hotel they had heard about at 9, Rue Git le Coeur and were soon joined by William Burroughs, Ian Somerville, Brion Gysin, and others from England and elsewhere in Europe, seeking out the “freedom” that the Latin Quarter of Paris might provide.

This documentary chronicles the life of expatriate writer Paul Bowles through archival footage, photos and interviews with the author, who talks about his writing, his friendships with artists such as Tennessee Williams and Aaron Copland and more. Shot in Tangier, Morocco (Bowles's long time home), this revealing portrait sketches out Bowles's rebellious life story, including his love relationships with men and women, his drug use and his music.

Using original film clips and interviews, this film illustrates the 1950s social movement termed the Beat Generation. Disillusioned with post-World War II America, Beat Generation writers and painters came together because they felt mainstream America was becoming out of touch with humanity and the individual. In their interviews, characters such as Allen Ginsberg, Neal Cassady, Jack Kerouac, and Gregory Corso express their disdain for a society that defines success and happiness in terms of superior technology, cars, and clothing. Those individuals discuss the false conventionality of society and the dangerous world of shock treatments and conformity in which they found themselves. Their goal is to redefine this world to reflect the endless possibilities that characterize America.