Octavio Macias

A memory exercise, a crystalized moment in time that captures poetic and existential quotidian gestures. A journey into a world of estrangement in which nothing is what it seems, yet it gives way to the vision of a better future after the storm. A work that begins with a sequence of correspondences in the distance to gradually become an essay that reflects on the perception of time, confinement, the impact of man on nature and the very act of filmmaking.

In our humanity, there is a vanishing point. We step in and out of it; it’s a kind of zone in which we shift in each other’s perspective from definite to indefinite, and vice versa.” – Karl Ove Knausgaard. Taking inspiration from Knausgaard’s writing on art’s power to bolster our common humanity, Vanishing Point is a multi-channel film installation that meditates on human connection. The three screens show a line of musicians emerging from the distance as the music they play slowly becomes more audible. Through a series of synchronized camera movements, the sound of their instruments ebbs and flows, forming a constantly shifting trio playing a coherent piece of music across the three shots. The changing proximity and the resultant shifts in visual and sonic focus symbolize a mutable sense of connection between the viewer and musicians.