Lucas León

On Christmas Eve, Alexandre, a lonely young man burdened by his own emotional defenses, invites Guilherme—a male escort who has just been kicked out of his home—to stay at his house. As the hours pass, the ordinary night transforms into a deep dive into the vulnerabilities, fears, and desires of both, showcasing the hesitant and contradictory construction of an inescapable connection that remains uncertain: whether it is love, friendship, or simply the recognition of two mirrored lonely souls.

In the Human Resources conglomerate of Hell, where employees eternally toil in perpetual justice, veteran employee Ruth Honda faces an unprecedented dilemma: a convict appeals his sentence, claiming innocence. While attempting to resolve the case, Ruth and her colleagues find themselves trapped in a labyrinth of absurd procedures and eccentric figures, exposing the ironies and contradictions of a hellish work system.

A lonely man makes a wish for someone to make him company.

On Christmas Eve, Alexandre, a lonely young man burdened by his own emotional defenses, invites Guilherme—a male escort who has just been kicked out of his home—to stay at his house. As the hours pass, the ordinary night transforms into a deep dive into the vulnerabilities, fears, and desires of both, showcasing the hesitant and contradictory construction of an inescapable connection that remains uncertain: whether it is love, friendship, or simply the recognition of two mirrored lonely souls.

In this recently found and restored banned underground classic from 1984, four girls go into a bathroom to hide in the middle of a war and, after an impulsive act by one of them, they find themselves trapped there. As panic gives way to despair, tragedy approaches.

The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.