Zahra Zulya

The search for a missing friend leads four young people to a house haunted by the Pocong Cantengan and the secret of human sacrifices ritual.

Ardi, a 21-year-old cinephile who prides himself on being immune to Indonesian horror films. Introduced by Kitti, an ambitious film producer, and Rossi, a creative director working on a new project, Ardi expresses his disdain for local horror films, which he believes are of poor quality and rely too much on cheap jump scares. Through interviews and interactions with his friends, including humorous moments shared while watching horror films together, Ardi's arrogance and skepticism toward the genre are evident. His friends challenge him to watch clips from some of the most terrifying horror films, hoping to make him experience fear. However, Ardi remains unimpressed by each clip shown, continuing to mock the genre's ability to frighten him. As the film progresses, Ardi's journey becomes not just a challenge of fear but a humorous exploration of his own biases and the nature of horror in contemporary Indonesian cinema.

A documentary filmmaker team is haunted by a series of supernatural events while working on a documentary about the urban legend "Mama Minta Hotspot".

Some people draw fragments of lines on paper as an idea of possible disasters that could happen to them. These lines turn abstract ideas into something that is visually identifiable. The collection of images of objects and lines then becomes a depiction of an event. From this process emerges a collective visual narrative in which personal experiences are represented as part of a shared pattern, emphasizing the connection between individual perceptions and broader visual constructions.