Sara Stijović

Due to the untimely death of her husband, Jelena spends the whole year in a tangle of feelings of endless sadness and guilty conscience. This depressing routine is broken one day by a visit from her mother, Andja, who brings a pot of her famous chicken soup.

Occupied Croatia, 1991. An army major reluctantly agress to take care of a cow that's been left for dead in a recently abanndoned building, however, taking care of the creature reveals deeper truths about the human nature to him.

Unresolved emotions between mother and son, come to surface as decluttering a room becomes a challenge for both.

Gina was a Montenegrin girl who had become a political prisoner in the 1950s in the ex-Yugoslavia. The story follows Marina, Gina’s niece, on her way to the prison she is visiting for the second time – the first time as a baby seen in a photograph and now as an elderly lady. Together, we are bringing the female side of the Yugoslavian camps, and questioning how many generations it takes to overcome a trauma.

Due to the untimely death of her husband, Jelena spends the whole year in a tangle of feelings of endless sadness and guilty conscience. This depressing routine is broken one day by a visit from her mother, Andja, who brings a pot of her famous chicken soup.

Occupied Croatia, 1991. An army major reluctantly agress to take care of a cow that's been left for dead in a recently abanndoned building, however, taking care of the creature reveals deeper truths about the human nature to him.

Unresolved emotions between mother and son, come to surface as decluttering a room becomes a challenge for both.

Gina was a Montenegrin girl who had become a political prisoner in the 1950s in the ex-Yugoslavia. The story follows Marina, Gina’s niece, on her way to the prison she is visiting for the second time – the first time as a baby seen in a photograph and now as an elderly lady. Together, we are bringing the female side of the Yugoslavian camps, and questioning how many generations it takes to overcome a trauma.

Gina was a Montenegrin girl who had become a political prisoner in the 1950s in the ex-Yugoslavia. The story follows Marina, Gina’s niece, on her way to the prison she is visiting for the second time – the first time as a baby seen in a photograph and now as an elderly lady. Together, we are bringing the female side of the Yugoslavian camps, and questioning how many generations it takes to overcome a trauma.