Luana Vitra

Marina, a pregnant woman, experiences life from metals of the industrial city where she grew up. With her sister, she discovers a past where the Black workers who built the capital were excluded. When she meets Maria, a lady who is said to haunt one of the capital's first buildings, something supernatural happens.

The image of a body that is not in front of the camera. The absence of an image. The presence of a body. The materiality of a dream that is impossible to remember when one wakes up. Someone falls in love. Someone searches for words. Someone moves. Someone falls, or flies. Everyone dances.

The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.