Jonathan Bougard

Semetua was Sem Manutahi, master of ceremonies and central figure of the "Tipaerui Valley" association. His role in the association was to find legends, and to set up traditional activities or ceremonies, in the upper valley of Tipaerui in the heart of the island of Tahiti. "This valley has a soul, a spirit that we always respect when we come. He said. It is animated by the spirit of the Mamaia. These people that we rarely met, that we feared and respected also, in the days of royalty. Some say they were healers, others say they were seers." Speaker on several occasions for troops at Heiva i Tahiti, master of ceremonies for the Tipaeui Valley association, Semetua has made his voice resonate on numerous occasions, to tell stories, protect a valley or quite simply defend his convictions.

How at the beginning of 2022, while doing research in France on Henriette Lorimier and the women painters of the early 19th century, in a cellar in Bagneux Jonathan Bougard came across a bust signed Muta Mayola, the most important Congolese sculptor of the twentieth century, of which we thought all the works had disappeared. At the same time as on a set of works by his students and nephews Grégoire Massengo, Benoit Konongo and Edouard Malonga. The fathers of modern Congolese sculpture, main representatives of the Muta Mayola school.

Vincent Greby is a French artist who divides his life between Kathmandu and Seoul. While passing through his family home in Gournay, he received a visit from his friend Jonathan Bougard who was returning from Polynesia. They haven't been seen for twenty years. Vincent presents him with some Putali from the Jajarkot district, ex votos of primitive Himalayan art, as well as a large African mask signed Grégoire Massengo, and then some of the paintings which made him known in Asia.

Visit to the painter and collector of primitive arts Guillaume Tel 4 f in the heart of Paris, around the statue of a Congolese pipe smoker by Grégoire Massengo, one of the fathers of modern Congolese sculpture.

Gastineau Massamba is a painter, sculptor and poet. It is constantly renewing itself.

A precocious sculptor, famous at the age of 15, Joachim Badindamana was born in Congo Brazzaville in 1950. He began by working in wood in the style of Muta Mayola and very quickly won a first sculpture prize and then a scholarship. allowing him to study fine arts in Germany. He made his life between Berlin and Dusseldorf in the 1970s and then turned to creating monumental bronzes before returning to Congo at the invitation of President Sassou Ngesso in the early 1980s. Author of monumental bronze sculptures erected in the public squares of Brazzaville from the 1980s, his emblematic works of the Congolese capital disappeared during the events of 1997. The population recovered the bronze to make pots. For Gastineau Massamba, Les Demoiselles de Brazzaville is an important work for the history of contemporary Congolese sculpture.

Tiairani, a young Tahitian, sets out to meet the Etruscan, a man with a tattooed face who occupies a roundabout in Punaauia, on the island of Tahiti.

Tiairani, a young Tahitian, sets out to meet the Etruscan, a man with a tattooed face who occupies a roundabout in Punaauia, on the island of Tahiti.

A red-haired man walks in the courtyard of the Louvre Museum. He holds a large shell and hides his face with it. The shell is sculpted with a neutral face. The man walks towards the statues which adorn the Tuilleries promenade. A curious dialogue begins.

A red-haired man walks in the courtyard of the Louvre Museum. He holds a large shell and hides his face with it. The shell is sculpted with a neutral face. The man walks towards the statues which adorn the Tuilleries promenade. A curious dialogue begins.

Chronicle of the first tattoo festival which was held at the end of March and beginning of April 2017 at the town hall of Faa'a in Tahiti. With Moana Heitaa, Pai Aritai, Patu, Tuatini Tamata, Tana Tokoragi, Estelle Anania miss Ink Girl France 2017 godmother of the festival and around fifteen young tattoo artists for whom it was the first festival.

Chronicle of the first tattoo festival which was held at the end of March and beginning of April 2017 at the town hall of Faa'a in Tahiti. With Moana Heitaa, Pai Aritai, Patu, Tuatini Tamata, Tana Tokoragi, Estelle Anania miss Ink Girl France 2017 godmother of the festival and around fifteen young tattoo artists for whom it was the first festival.

Hui Tarava is a Tahitian dance company based in San Franscico. Led by Angélique Bannag and Justin Froogie Atangan, a troupe of forty people responded to the invitation to Farereira'a launched by Coco Hotahota. Farereira'a is a gathering in Tahiti of international dance troupes practicing Tahitian dance. The film follows them throughout the week of the festival, from the Arahurahu site to the Grand Théâtre of Papeete.

Hui Tarava is a Tahitian dance company based in San Franscico. Led by Angélique Bannag and Justin Froogie Atangan, a troupe of forty people responded to the invitation to Farereira'a launched by Coco Hotahota. Farereira'a is a gathering in Tahiti of international dance troupes practicing Tahitian dance. The film follows them throughout the week of the festival, from the Arahurahu site to the Grand Théâtre of Papeete.

Pilot of an animated series dedicated to wildlife in the Rangiroa sector, an atoll in the Tuamotu archipelago.

Pilot of an animated series dedicated to wildlife in the Rangiroa sector, an atoll in the Tuamotu archipelago.

Pavel Belmondo is looking for a Peugeot 508 to return to Wroclaw.

Pavel Belmondo is looking for a Peugeot 508 to return to Wroclaw.

Semetua was Sem Manutahi, master of ceremonies and central figure of the "Tipaerui Valley" association. His role in the association was to find legends, and to set up traditional activities or ceremonies, in the upper valley of Tipaerui in the heart of the island of Tahiti. "This valley has a soul, a spirit that we always respect when we come. He said. It is animated by the spirit of the Mamaia. These people that we rarely met, that we feared and respected also, in the days of royalty. Some say they were healers, others say they were seers." Speaker on several occasions for troops at Heiva i Tahiti, master of ceremonies for the Tipaeui Valley association, Semetua has made his voice resonate on numerous occasions, to tell stories, protect a valley or quite simply defend his convictions.

Semetua was Sem Manutahi, master of ceremonies and central figure of the "Tipaerui Valley" association. His role in the association was to find legends, and to set up traditional activities or ceremonies, in the upper valley of Tipaerui in the heart of the island of Tahiti. "This valley has a soul, a spirit that we always respect when we come. He said. It is animated by the spirit of the Mamaia. These people that we rarely met, that we feared and respected also, in the days of royalty. Some say they were healers, others say they were seers." Speaker on several occasions for troops at Heiva i Tahiti, master of ceremonies for the Tipaeui Valley association, Semetua has made his voice resonate on numerous occasions, to tell stories, protect a valley or quite simply defend his convictions.

Everyone knows Pitore in Moorea. Pitore is a sculptor, farmer, fisherman, canoe builder, fare builder, masseur and tattooist. He also makes medicines based on medicinal plants.

Everyone knows Pitore in Moorea. Pitore is a sculptor, farmer, fisherman, canoe builder, fare builder, masseur and tattooist. He also makes medicines based on medicinal plants.

This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.

This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.

Aged 83, Taverio Richmond is doing well. He is very involved in defending the indigenous rights of the Polynesian people. Particularly when it comes to land. He still climbs trees like a real chimpanzee. He is worse than Tarzan, his friend Tapu says of him.

Aged 83, Taverio Richmond is doing well. He is very involved in defending the indigenous rights of the Polynesian people. Particularly when it comes to land. He still climbs trees like a real chimpanzee. He is worse than Tarzan, his friend Tapu says of him.

Discovery of the community of Vitaria, on the island of Rurutu in the Austral archipelago in Polynesia. In Vitaria we are Rurutu Protestants. This church draws on its autochthony to regain control over individuals and their native land. To stay in the symbolism, it should be noted that the geographical point furthest from Jerusalem is located in the Austral archipelago, south of the island of Rapa. The prism of local Christianity will be an opportunity to focus on the lives of the people of Vitaria, to get to know Patia Taputu, a charismatic character who is a farmer, breeder and fisherman. His wife Tiare is a recognized craftswoman. The couple raised their seven children on vanilla, coffee, egg production and making woven hats from white pandanus.

Discovery of the community of Vitaria, on the island of Rurutu in the Austral archipelago in Polynesia. In Vitaria we are Rurutu Protestants. This church draws on its autochthony to regain control over individuals and their native land. To stay in the symbolism, it should be noted that the geographical point furthest from Jerusalem is located in the Austral archipelago, south of the island of Rapa. The prism of local Christianity will be an opportunity to focus on the lives of the people of Vitaria, to get to know Patia Taputu, a charismatic character who is a farmer, breeder and fisherman. His wife Tiare is a recognized craftswoman. The couple raised their seven children on vanilla, coffee, egg production and making woven hats from white pandanus.

Polynesian culture has been booming in mainland France as elsewhere in the world for around ten years. Brittany is one of the regions where Polynesian associations are most active: out of the hundred associations present in France, 32 are domiciled in Brittany. Since 2013 Morgane Le Meur has been president of the Polynesian dance association Tipani Tahiti in Penmarch, in Finistère. The film will allow us to discover who practices what activities, while focusing on the ongoing Breton Polynesian cultural exchanges with Bagad Cap Caval and the Celtic circle Ar Vro Vigoudenn. Indeed, Tahitian dance as we know it and bagadou both emerged in the 1950s, to revitalize traditions that were losing momentum.

Polynesian culture has been booming in mainland France as elsewhere in the world for around ten years. Brittany is one of the regions where Polynesian associations are most active: out of the hundred associations present in France, 32 are domiciled in Brittany. Since 2013 Morgane Le Meur has been president of the Polynesian dance association Tipani Tahiti in Penmarch, in Finistère. The film will allow us to discover who practices what activities, while focusing on the ongoing Breton Polynesian cultural exchanges with Bagad Cap Caval and the Celtic circle Ar Vro Vigoudenn. Indeed, Tahitian dance as we know it and bagadou both emerged in the 1950s, to revitalize traditions that were losing momentum.