Farshad Hashemi

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.