Sofía Siniscalco

The night of July 18th 1896 a small group of people attended the first film projection in Buenos Aires. This is the story of three of them, who will go on to become the pioneers of south-american cinema, not without being involved in a couple scandals including a duel, a mysterious disappearance and the burning of a lab in the centric area of the city. Archival footage meets historical fact and cinematic recreation in a filmic exercise that is not interested in finding reality in fiction but quite the opposite: finding fiction in reality.

A young Brazilian girl travels to Argentina to visit her aunt, but after a misunderstanding and the loss of her belongings, she must kill time until the next morning.

Jorge hustles his way through Buenos Aires' ruthless financial district, making cash and enemies by the minute. Crude, chaotic, and a magnet for disaster, he's burned just about every bridge, including the one to his estranged daughter. But after a near-fatal heart attack, Jorge is hit with an unfamiliar urge: to become a better man. Or at least look like one. Fueled by guilt, nicotine, junk food, and questionable life choices, he sets out to win back his daughter's trust and prove he’s changed – without actually changing too much. Because old habits die hard… and Jorge's aren't even close to dying.