Adriana Asti

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.

After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.

A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Marie, in her forties, lives alone. She finds herself living with her parents in a vacation home.

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.

A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.

A single mother faces a culture of sexual harassment at her new workplace.

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

A mother so insanely overprotective of her grown son decides to make a deal with death by offering alternate victims plucked from among her fellow tenants in a 1938 Italian apartment building.

Z-movie actor Bruno Martel has hero syndrome, often quarrelling with directors. He meets fellow actor Doris, who is obsessed with Ophelia but cannot get any Shakespearean bookings. One day, during a nervous breakdown, Bruno 'rescues' Doris from the set, leaving town to encounter various absurd situations.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

This highly acclaimed feature film on Pope John Paul II was filmed on location in Italy and Poland. Focusing on the papacy of John Paul and the tremendous impact he had on the Church and the world, Karol: The Pope, The Man stars actor Piotr Adamczyk in a deeply moving portrayal of the beloved pontiff. It is the powerful true story of a charismatic spiritual leader who helped bring down Communism, renewed the life of the Church, greatly impacted youth worldwide with love for Christ, and a Pope who reached out to other religions and world leaders with a message of peace and love. Also stars Raoul Bova (Saint Francis), Michele Placido (Padre Pio: Between Heaven and Earth) and Adriana Asti as Mother Teresa. The beautiful film score is by legendary film composer Ennio Morricone.

In 1880 Rome, a patriarch closes the family bakery. His ambitious daughter-in-law manipulates her brothers-in-law to prevent their father's remarriage, securing her inheritance.

November 2, 1975: Pier Paolo Pasolini is murdered in the outskirts of Rome. The suspect, a 17-year-old hustler, pleads to have acted in self-defense, citing Pasolini's notorious sexual habits as proof. However, many inconsistencies start to undermine his version, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also killed for another reason?

The year is 2037 A.D. Depletion of natural fuels has eliminated electrical power throughout the world. No light… no heat… no T.V., until a team of award-winning scientists succeeds in harnessing energy from the world’s oldest source of reciprocating motion.

The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

An illiterate seamstress has a powerful fetish for silk which gets her into trouble. The psychiatrist sent to help her becomes fascinated by her case and when he returns to France from World War One they fall in love, an affair that can only end in tragedy.

During the brutal era of the military government, an innocent tourist manager is accused of being a member of the illegal resistance movement.

Former shepherds return to Sardinia from Milan in order to avenge a brother wantonly killed by bandits. In describing the grinding contrasts between places and personages of old and new Sardinia, director Piero Livi does not falter, photographing faithfully a desolated land, stuck in the past but alienated from traditional beliefs.