Directing

Sylvie Laliberté

Acting credits

Behind the camera

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The Festival du Nouveau Cinéma of Montreal, in its 37th year, invited me to make three little video sequences in different locations in the city : a subway station, the Grande Bibliothèque and the FNC Lab. "The cinema" was the obligatory subject. I could not use any sound, because they did not want my work to disturb people. They also told me we live in a world with far too many images already. So for sure, I added more. Made in collaboration with Vidéographe, Bibliothèque et Archives nationales du Québec and the Société de transport de Montréal.

Le soleil brille pour tout le monde mais les hommes préfèrent les blondes

2008

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When double subjectivity strikes, tension is created between form and matter, intellect and feeling. The terrible threat of formlessness hovers. Life as seen through an artist’s eyes.

Récits plastiques

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In my bath, I am asking myself questions about how bridges hold, what love is all about... and the essence of human being is to not understand everything.

Papillon cerise

1997

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Here is a video very tourist, kind of Sylvie in Paris. Tourists are people very concerned about themselves and lookind to improve their personnality by travelling. Paris indeed helped me to improve myself.

Paris chouchou

2003

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For this small action movie I hired two hundred extras to dance with me in Paris. I'm not a dancer but dancing in Paris is easy.

L'artiste surprise

2010

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Happiness is a tautological state. Why is one happy? Because he or she is happy. It’s very simple. And it smells good. Still happy than one can be happy. This video was produced for Manif d’art 2003 in Québec focussing on happiness and its representation.

Il n’est pas innocent que le bonheur soit heureux

2003

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Sylvie Laliberté shares this. ​“I produce my auteur films at home: I talk a lot, so it’s also an action movie. I sing a song by the great Quebec star La Bolduc, which makes it a bit of a musical. A few family memories follow, because in the end, it’s mostly a spy movie, since I’m a double agent: half-Italian, half-Quebecer. All in the perspective of someone who knows they’re right: because I too, like

Par la bouche de mes canons

2024

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"I capture little chosen moments. I snatch them from the subject and the subject is me. I speak in an off-hand manner. I catch floating moments on a nice body of water. My work has something specific about it : it suits me. I can sing, waddle about, and say things. A woman sitting any place is already something. It's usually elegant if you don't mind crossing your legs. Mine are crossed."

Mes amis les poissons

1998