Andrzej Miękus

February 24, 2022 — the invasion begins. Ukrainian museums vanish from Google Maps, and art goes underground. As cultural centres in cities like Kharkiv and Kyiv come under threat, volunteers rise to protect Ukraine’s heritage from annihilation.

Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. A look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.

February 24, 2022 — the invasion begins. Ukrainian museums vanish from Google Maps, and art goes underground. As cultural centres in cities like Kharkiv and Kyiv come under threat, volunteers rise to protect Ukraine’s heritage from annihilation.

February 24, 2022 — the invasion begins. Ukrainian museums vanish from Google Maps, and art goes underground. As cultural centres in cities like Kharkiv and Kyiv come under threat, volunteers rise to protect Ukraine’s heritage from annihilation.

Art, auctions, huge valuations of individual works, a market full of enigmas. The inaccessibility of the art world and its business mechanisms, incomprehensible to many, have always worked on the imagination. However, the incredible growth of interest in buying art in Poland over the past few means that the curtain of mysticism must be slowly falling. A look at the Polish art market, which with the political transformation has changed from a marginal and obscure curio to a modern, professional machine, opening for some artists of the youngest generation the gates of success inaccessible to their predecessors.