
Directing
Kryzza Louise Ricaforte
Born
2005-07-06 (21)
Place of birth
Caloocan City, Metro Manila, Philippines
Known for
Directing
Credits
8 titles
Kryzza Louise R. Ricaforte is a young Cagayano filmmaker and BA Communication student at Cagayan State University, working across directing, cinematography, and editing. Her experience spans both narrative and documentary filmmaking, taking on creative and technical roles throughout production, from development and shooting to post-production. She has worked on projects for cultural and environmental institutions, including collaborations with the National Commission for Culture and the Arts (NCCA) and the Mabuwaya Foundation. Her films and production work have been recognized in regional film festivals and student competitions, where she has served in various capacities as a director, cine…
Known for
NRBefore Kian leaves for a new life abroad, he and Amara escape into the pages of an old diary, imagining an adventure across Cagayan and creating one last shared memory before growing up pulls them apart.
Laro Tayo!
—
NRA desperate college student chases financial freedom through a networking scheme, only to discover that the real price is his education.
Hulagpos
—
NRSedrick, a hardworking college student, is apprehended after a viral CCTV footage links him to a journalist's murder. Now, he must confront the truth and prove his innocence before social media's judgment becomes his sentence.
Sa Mata ng Napupuwing
—
NRThis short documentary showcases Tatay "Ifan" Juan Datul of Amulung, Cagayan, one of the last makers of the cinco-cinco, a rare Itawit lute. His craft preserves the cultural memory and identity of the Itawit people, highlighting the role of music and craftsmanship in keeping traditions alive. As the practice faces the risk of fading, the video emphasizes the importance of safeguarding intangible heritage, ensuring that future generations may continue to value and appreciate the history and artistry embodied in the cinco-cinco.
Kwerdas ni Juan
2025
NRWhen Angela is forced to trace her roots for a family tree assignment, she turns to the sacred chants of her fading culture-guided not by blood, but by love for her ailing grandmother.
Ta Nakkansion I Mammanu'
—
Behind the camera
NRBefore Kian leaves for a new life abroad, he and Amara escape into the pages of an old diary, imagining an adventure across Cagayan and creating one last shared memory before growing up pulls them apart.
Laro Tayo!
—
NRA desperate college student chases financial freedom through a networking scheme, only to discover that the real price is his education.
Hulagpos
—
NRA desperate college student chases financial freedom through a networking scheme, only to discover that the real price is his education.
Hulagpos
—
NRSedrick, a hardworking college student, is apprehended after a viral CCTV footage links him to a journalist's murder. Now, he must confront the truth and prove his innocence before social media's judgment becomes his sentence.
Sa Mata ng Napupuwing
—
NRSedrick, a hardworking college student, is apprehended after a viral CCTV footage links him to a journalist's murder. Now, he must confront the truth and prove his innocence before social media's judgment becomes his sentence.
Sa Mata ng Napupuwing
—
NRThis short documentary showcases Tatay "Ifan" Juan Datul of Amulung, Cagayan, one of the last makers of the cinco-cinco, a rare Itawit lute. His craft preserves the cultural memory and identity of the Itawit people, highlighting the role of music and craftsmanship in keeping traditions alive. As the practice faces the risk of fading, the video emphasizes the importance of safeguarding intangible heritage, ensuring that future generations may continue to value and appreciate the history and artistry embodied in the cinco-cinco.
Kwerdas ni Juan
2025
NRWhen Angela is forced to trace her roots for a family tree assignment, she turns to the sacred chants of her fading culture-guided not by blood, but by love for her ailing grandmother.
Ta Nakkansion I Mammanu'
—
NRWhen Angela is forced to trace her roots for a family tree assignment, she turns to the sacred chants of her fading culture-guided not by blood, but by love for her ailing grandmother.
Ta Nakkansion I Mammanu'
—
