Fernando Oikawa Garcia

In the late 1950s, a teenage couple tries to arrange a date at a small-town movie theater. It's all just memory.

In Melgaço, a transmission tower may or may not be built. On the horizon, the wind turbines of Alto Minho. A vast landscape in northern Portugal where everything and nothing changes, as told by the eyes and memories of its people. In a film-diary, three Brazilians record the literal and imaginary lines that cross this territory.

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.

In the late 1950s, a teenage couple tries to arrange a date at a small-town movie theater. It's all just memory.

In the late 1950s, a teenage couple tries to arrange a date at a small-town movie theater. It's all just memory.

In Melgaço, a transmission tower may or may not be built. On the horizon, the wind turbines of Alto Minho. A vast landscape in northern Portugal where everything and nothing changes, as told by the eyes and memories of its people. In a film-diary, three Brazilians record the literal and imaginary lines that cross this territory.

In Melgaço, a transmission tower may or may not be built. On the horizon, the wind turbines of Alto Minho. A vast landscape in northern Portugal where everything and nothing changes, as told by the eyes and memories of its people. In a film-diary, three Brazilians record the literal and imaginary lines that cross this territory.

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.