Jon Jory

This charming musical comedy, set in turn-of-the-century Paris and based on George Feydeau's classic romp, "Tailleur Pour Dames," turns on a case of mistaken identity, chance meetings and deceptions big and small. Starring Charlotte Rae and Max Wright, this performance was taped in front of a live audience in New York, and was originally broadcast in 1974 as part of the Broadway Theater Archive's efforts to bring stage productions to television.

Adapted from the group of stage monologues by the pseudononymous "Jane Martin," this is a series of characters snake handler, daughter, baton twirler, washed-up rodeo cowgirl, tattoed woman, and older woman in the twilight of her years talking with us about their experiences, in the poetic language that Jane Martin is known for bringing to all her stage characters. Kathy Bates does a wonderful job of translating these dead-on characters (talking directly to camera) from stage to screen. "Jane Martin" first came to prominence at the prestigious Louisville-based Humana Theatre Festival it was recently revealed that "she" is none other than the Festival's artistic director, Jon Jory.

This charming musical comedy, set in turn-of-the-century Paris and based on George Feydeau's classic romp, "Tailleur Pour Dames," turns on a case of mistaken identity, chance meetings and deceptions big and small. Starring Charlotte Rae and Max Wright, this performance was taped in front of a live audience in New York, and was originally broadcast in 1974 as part of the Broadway Theater Archive's efforts to bring stage productions to television.

This charming musical comedy, set in turn-of-the-century Paris and based on George Feydeau's classic romp, "Tailleur Pour Dames," turns on a case of mistaken identity, chance meetings and deceptions big and small. Starring Charlotte Rae and Max Wright, this performance was taped in front of a live audience in New York, and was originally broadcast in 1974 as part of the Broadway Theater Archive's efforts to bring stage productions to television.

Adapted from the group of stage monologues by the pseudononymous "Jane Martin," this is a series of characters snake handler, daughter, baton twirler, washed-up rodeo cowgirl, tattoed woman, and older woman in the twilight of her years talking with us about their experiences, in the poetic language that Jane Martin is known for bringing to all her stage characters. Kathy Bates does a wonderful job of translating these dead-on characters (talking directly to camera) from stage to screen. "Jane Martin" first came to prominence at the prestigious Louisville-based Humana Theatre Festival it was recently revealed that "she" is none other than the Festival's artistic director, Jon Jory.