Carlotta Cosmai

On the evening of March 12, 1981, in the Rai Due studios, Marina Morgan announces that the program A.A.A Offresi, a film about prostitution, it will never be broadcast “at the formal invitation of the president of the parliamentary steering and oversight committee.” This time, however, his announcement is interrupted by a group of military men, wearing ski masks, who barged in the studio to read live on national tv the script of the censored film, convicted as the “body of evidence”.

No synopsis available yet.

No synopsis available yet.

The search for a "fabulous creature" said to exist in the waters of Lake Como leads us to meet Norma, a woman who represents a taboo in our society. In this way, it begins a journey of deconstruction of our desires, expectations, and prejudices, reflecting on the concept of femininity. Our imagination meets and dialogues with Norma's reality and memories: her past in Peru, the path to self-acceptance, and her transformation, which is still in progress.

On the evening of March 12, 1981, in the Rai Due studios, Marina Morgan announces that the program A.A.A Offresi, a film about prostitution, it will never be broadcast “at the formal invitation of the president of the parliamentary steering and oversight committee.” This time, however, his announcement is interrupted by a group of military men, wearing ski masks, who barged in the studio to read live on national tv the script of the censored film, convicted as the “body of evidence”.

No synopsis available yet.

No synopsis available yet.

The search for a "fabulous creature" said to exist in the waters of Lake Como leads us to meet Norma, a woman who represents a taboo in our society. In this way, it begins a journey of deconstruction of our desires, expectations, and prejudices, reflecting on the concept of femininity. Our imagination meets and dialogues with Norma's reality and memories: her past in Peru, the path to self-acceptance, and her transformation, which is still in progress.

The search for a "fabulous creature" said to exist in the waters of Lake Como leads us to meet Norma, a woman who represents a taboo in our society. In this way, it begins a journey of deconstruction of our desires, expectations, and prejudices, reflecting on the concept of femininity. Our imagination meets and dialogues with Norma's reality and memories: her past in Peru, the path to self-acceptance, and her transformation, which is still in progress.