Billy Lyons

Nicholas and Isabel were made for each other but how will they ever know it? As ghosts, fate and the sheer power of true love pull them together, so too does life threaten to tear them apart.

When amateur historian Catherine Corless begins examining records from a former Mother and Baby Home in Tuam, Co. Galway, she stumbles upon evidence pointing towards a deeply troubling past. Refusing to let the questions go, she embarks on a painstaking investigation, putting her in conflict with the Church, State, and local town. As official resistance mounts, and unsettling discoveries emerge, her determination challenges powerful institutions, exposing a hidden chapter of Ireland's past that many would rather keep hidden.

An activist thinks she's immune to a mysterious syndrome afflicting local women, until her fiancé moves in.

A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.