Grace Freud

Follow the Alaskan adventures of the Tobin family as a single dad does his best to keep his weird bunch of kids close, especially as the artistic dreams of his only daughter lead her away from the family fishing boat and into the glamorous world of the local mall.

An overnight hotel security guard wiles away the lonely hours listening to a radio show from the 1940s as a mysterious guest roams the property.

Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.

Grace Freud and Alec Robbins host a fundraiser to raise $1.5 Trillion to build a real Megalopolis in Saudi Arabia. They show clips from the lost Christmas Special based on the Francis Ford Coppola film Megalopolis.

Follow the Alaskan adventures of the Tobin family as a single dad does his best to keep his weird bunch of kids close, especially as the artistic dreams of his only daughter lead her away from the family fishing boat and into the glamorous world of the local mall.

An overnight hotel security guard wiles away the lonely hours listening to a radio show from the 1940s as a mysterious guest roams the property.

Grace Freud and Alec Robbins host a fundraiser to raise $1.5 Trillion to build a real Megalopolis in Saudi Arabia. They show clips from the lost Christmas Special based on the Francis Ford Coppola film Megalopolis.