Daniel Schmidt

Good friends are there for each other. Looking after your friends‘ apartment while they‘re gone is no problem at all. Are the lights switched off? Sure. The dog has to go outside? Not a problem. Emptying out the mailbox? Emptied out already. Watering the plants.. Wait what?

A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.

In a student dormitory, the boundaries between animate and inanimate spaces, identities, and the question of one's own perception become blurred. A cinematic puzzle that needs no solution.

Good friends are there for each other. Looking after your friends‘ apartment while they‘re gone is no problem at all. Are the lights switched off? Sure. The dog has to go outside? Not a problem. Emptying out the mailbox? Emptied out already. Watering the plants.. Wait what?

A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.

A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.

In a student dormitory, the boundaries between animate and inanimate spaces, identities, and the question of one's own perception become blurred. A cinematic puzzle that needs no solution.

In a student dormitory, the boundaries between animate and inanimate spaces, identities, and the question of one's own perception become blurred. A cinematic puzzle that needs no solution.