Anna Brüggemann

Medical student Paula wins a place at an exclusive Heidelberg medical school. When the body of a young man she met on the train turns up on her dissection table, she begins to investigate the mysterious circumstances surrounding his death.

Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

Florian and Marie want to spend a cozy evening on the sofa watching a movie. But that's more difficult than expected: the couple navigate through a digital world full of streaming portals, voucher codes, delivery service apps and broken remote controls and keep tripping over themselves in the process.

No synopsis available yet.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

A weekend in the Bavarian Alps. 25-year-old Hannes meets his father after 8 years of separation in a little mountain hut. By the influence of their very different girlfriends Ann and Lavinia, the stage-director-father and his actor-son cautiously try to make a new start. A bold venture, leading all of them to an abyss of unforeseen cruelty.

No synopsis available yet.

The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.

No synopsis available yet.

Georg, a professional improviser, wants the best for his epileptic child—and he finds it in a chic daycare center in Leipzig. He can't admit that he's unemployed and his wife works as a cleaning lady. With a doctored biography and rusty charm, he fakes his way into the hip parenthood scene as a supposed event manager, organizing flea markets, barbecuing, smoking weed, and taking over the cash register. The fact that there is almost half a million euros in it is initially a "gift" that Georg soon uses to treat himself to a lavish lifestyle without anyone noticing – and to become more and more like the hip parents. But as he juggles credit cards, his shady dealings increasingly begin to turn against him.

Ferdi thinks he's ugly – but likes the fact Jona is interested in him. Maybe because she's blind. What Ferdi doesn't suspect: She's just pretending to be blind to be able to live cheaply in subsidized housing. How long can she maintain her charade? Can love, which is supposed to make you blind, even work out that way? Director Tom Lass takes a closer look, shooting with blind actors and old Berlin buddies, acting the lead himself – paying tribute to a way of life beyond our way of seeing the world.

Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.

In the brief period of peace after a terrible war on a far future Earth, an outer-space military academy is attacked by an unknown and unstoppable alien force. The commander, along with a group of newly graduated cadets, escapes to a large research station. Pursued by the aliens, the station jumps through a mysterious hyperspace gateway that sends them to a planet in an unknown part of the universe.

After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

When Julia, a frustrated literature professor, gets the opportunity to teach in Paris for one year, the dream of her life comes true. Living in a small, but charming hotel room, she is annoyed by her young neighbors because of their unmistakable sex life. However, she soon gets to know them personally...

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Tom and Malte are best friends; they make music together, DJ in Berlin clubs, dream of a career together, party until they drop, wait tables at a casting service and yet they are very different: Tom struggles with himself, his life and the future. When one day Mavie, Mitsch's "little" sister from Munich, moves into the Berlin flat share, Tom's emotional rollercoaster begins. Daredevil Malte, on the other hand, seems to have his luck in his pocket: Everything he touches succeeds. Tom sees no other way out than to escape: out of the city and into another life. His friends try to stop him, but even they know: Tom has to make this decision himself if he doesn't want to stand in the way of his happiness forever.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

A queer trans-ethnic movie kiss leads to considerable turmoil.

Newspaper journalist Katja drinks too much. When she becomes abusive at an in-office birthday party while drunk, her boss gives her an ultimatum: sober up and deliver an excellent report on alcohol abuse, or be fired. Katja resigns, but soon begins researching and conducting interviews with doctors and alcoholics.

No synopsis available yet.

Four stories dealing with the dialectics of enlightenment, with the randomness of love, birth and death. Aleks participates in an experiment facing civil war in former Yugoslavia. Sarah tries to escape loneliness by investigating a murder. Bastian has to deal with his father's decision to die. Anna dances with a foreign man. How destructive is the unlimited search for insight? Should one lie in order to protect a loved one, who'll be destroyed by truth?

In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Gisela involuntarily ends up studying in the cosmopolitan city of Chemnitz. There she meets her friends Jana, Fred and Meryam, with whom she spends her nights out, fights with Nazis, eventually founds the band Superbusen and, through music, hopes to find answers to all the problems life throws at her.

Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Paul and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

No synopsis available yet.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Magdalena has to wash glasses at her own graduation ball. Rudi, who is in love with her, has to endure the presence of her boyfriend Julian. Julian doesn't have to do anything, but lets his mother look after him. They are united by one wish: To find their own path in life - not an easy task when, firstly, there is no guidance and, secondly, the dear family with all its lived compromises, lost ideals and a good dose of resignation stands in the way.