
Acting
Sonia Saviange
Born — Died
1923-03-25 — 1987-06-22
Place of birth
Bastia, France
Known for
Acting
Credits
15 titles
Sonia Saviange was born on March 25, 1923 in Bastia, Haute-Corse, France as Christiane Vecchiali. She was an actress, known for Salò, or the 120 Days of Sodom (1975). She died on June 22, 1987 in Paris, France.
Known for
6.3Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Salò, or the 120 Days of Sodom
1976
7.0No synopsis available yet.
A judge, a cop
1977
6.0Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.
The Strangler
1971
7.0The fortunes of a small theatrical company based in the Paris suburbs.
The Theatre of the Matters
1977
4.9To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
Le Crime d'amour
1982
7.2A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.
At the Top of the Stairs
1983
Film credits
1980s · 5 titles
4.9To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
Le Crime d'amour
1982
7.2A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.
At the Top of the Stairs
1983
7.2A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.
At the Top of the Stairs
1983
5.4Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.
Simone Barbès or Virtue
1980
7.4Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.
Far from Manhattan
1982
1970s · 7 titles
6.3Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Salò, or the 120 Days of Sodom
1976
6.0Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.
The Strangler
1971
7.0The fortunes of a small theatrical company based in the Paris suburbs.
The Theatre of the Matters
1977
5.3Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.
La Machine
1977
5.8Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.
Drugstore Romance
1979
7.3The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.
Femmes femmes
1974
5.9A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.
Don't Change Hands
1975
1960s · 2 titles
5.4In this film, an artist attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. His psychedelic hallucinations increase with time. Starring Richard Leduc and Danièle Gaubert with Serge Gainsbourg who also did the score.
Paris Does Not Exist
1969
6.7François Truffaut said of Paul Vecchiali in his early days that he was "the only true heir of Jean Renoir." The first short film of this director, who was to become a singular figure of independent French cinema, follows the path of an elderly woman towards her memories and beyond. Attentive, affectionate and sometimes cruel, Vecchiali's camera invents its own expressive language.
Les Roses de la vie
1962
